| 2022 |
“Holding Binoculars, Pointing a Camera: A Cinema of Birdwatching” The Block musuem of art |
| 2018 |
The Portrait of the Artist, MUMOK – Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria – curated by Christian Kravagna |
| 2017 |
Canyon Cinema, “Drive-Through Cinema”, Exploratorium Cinema Arts, Pier 15, San Francisco |
| 2016 |
“DOC-U-MANIA”, Cinefamily Lost and Found Film Club, Los Angeles, California |
| 2013 |
SILHOUETTE, Elizabeth Foundation for the Arts, curated by Bill Carroll, New York, New York |
| 2013 |
POP UP, Canyon Cinema, Kadist Art Foundation, San Francisco, California
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| 2012 |
Oyster Boy Review – 20th Anniversary. Big Umbrella Studios, San Francisco, California |
| 2008 |
Oxford Film Festival, Oxford, Mississippi |
| 2007 |
“Post Hurricane Katrina Photographs”, Tyler Turkle, Lane Turkle, Thomas Eads Gallery/Kool Beanz Cafe, Tallahassee, Florida |
| 2006 |
“Currency: Art as Money/Money as Art,” Mary Brogan Musuem of Art and Science, Tallahassee, Florida – catalogue |
| 2002 |
“Florida Photogenesis,” Southeast Museum of Photography, Daytona Beach, Florida |
| 2001 |
“Florida Photogenesis,” Appleton Museum of Art, Ocala, Florida |
| 2000 |
“Florida Photogenesis,” Florida State University Museum, Tallahassee, Florida – curated by Robert Fichter – catalogue |
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“Basel Art Fair Preview,” zingmagazine and Tricia Collins Contemporary Art, Basel, Switzerland |
| 1998 |
“Fashioned,” White Box Gallery, New York, New York – curated by Suzan Batu and Bill Dougherty – catalogue |
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“Fashioned,” White Box Gallery, Philadelphia, PA – curated by Suzan Batu and Bill Dougherty |
| 1997 |
“Bang! The Gun as Image,” Florida State University Art Museum, Tallahassee, FL – curated by George Blakeley – catalogue |
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“The Resonance of Paint,” Dunedin Fine Arts Center, Dunedin, Florida – curated by Genevieve Linnehan |
| 1996 |
“Capital Film Festival,” Miracle Theatre, Tallahassee, FL |
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The New Groninger, Groniger Museum, Groningen, The Netherlands, curated by Mark Wilson |
| 1995 |
“44th Biennial Exhibition of Contemporary American Painting,” Corcoran Gallery of Art, Washington, D.C. – curated by Terrie Sultan – catalogue-essay by Eleanor Heartney |
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“A Vital Matrix,” Domestic Settings, Los Angeles, CA – curated by Jane Hart – boxed edition and catalogue |
| 1994 |
“PUBER-ALLES,” Stedelijk Museum Bureau, Amsterdam, The Netherlands |
| 1993 |
“Tower of Babel,” HERE, New York, New York – organized by Troy Maier |
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“One of Us,” Kunsthal, Rotterdam, The Netherlands, – organized by Mark Wilson and Cokkie Snoei |
| 1992 |
“Art Show,” New York Downtown Hospital, New York, New York – curated by Troy Maier |
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“St. Vitus On Ecstasy: Eco-MusÈe For Dance and Illness,” Suzanne Biederberg Gallery, Amsterdam, The Netherlands |
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“Painterly Object,” S. Bitter Larkin Gallery, New York, New York |
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“Epigrams for the Mirror Blind,” Momentary Modern Gallery, Amsterdam, The Netherlands |
| 1991 |
“New Era Space,” New York, New York – curated by Collins & Milazzo |
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“A New Low,” Claudio Botello Gallery, Turin, Italy – curated by Collins & Milazzo – catalogue |
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“Outside America,” Fay Gold Gallery, Atlanta, Georgia – curated by Collins & Milazzo – catalogue |
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“Made in Florida”, Polk Museum of Art, Lakeland, Florida |
| 1990 |
“All Quiet on the Western Front?,” Espace Dieu, Paris, France – organized by GÈrard Delsol and Antoine Candau – catalogue |
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“Pools,” Modus Vivendi, Zurich / Art Moderne, Moscow – curated by Nancy Jones – catalogue essay by Robert Mahoney |
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“Pools, Too”, Tyler Turkle and Elizabeth Thompson, Barbara Gilman, Miami, Florida |
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“Twentieth Anniversary Benefit,” White Columns, New York, New York – curated by Bill Arning |
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“Fragments, Parts, Wholes; The Body and Culture,” White Columns, New York, New York – curated by Saul Ostrow |
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“The Last Laugh,” Massimo Audiello Gallery, New York, New York – curated by Collins & Milazzo |
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“Once Upon a Time There Was a Photograph”, Joseph Nechvatal, Andres Serrano, Tyler Turkle, Brabara Gillman Gallery, Miami, Florida – curated by Joe Jacobs |
| 1989 |
“Buena Vista,” John Gibson Gallery, New York, New York – curated by Collins & Milazzo – catalogue |
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Evening of Stars, Benefit, New Museum, New York, New York |
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Frederick Roos Collection, Stockholms Auktionsverk, Stockholm, Sweden |
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“Group Show,” Galerie Antoine Candau, Paris, France |
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“Featuring Florida,” John and Mable Ringling Museum of Art, Sarasota, Florida – curated by Joe Jacobs – catalogue |
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“R.M. Fischer, Laurie Simmons, Tyler Turkle, William Wegman,” Greenberg Wilson Gallery, New York, New York |
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“Made in Florida,” University of South Florida Art Museum, Tampa, Florida – curated by Margaret Miller, Joe Jacobs and David Courtney – catalogue |
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“Science Projects,” Lafayette College, Easton, Pennsylvania – curated by Janet Borden – catalogue |
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“41st Biennial Exhibition of Contemporary American Painting,” Corcoran Gallery of Art, Washington, D.C. – curated by William Fagaly – catalogue |
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“More Made in Florida,” Gillman Stein Gallery, Tampa, Florida |
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41st Corcoran Biennial Exhibition of Contemporary American Painting, New Orleans Museum of Art, New Orleans, Louisiana |
| 1988 |
“Traveling,” Althea Viafora Gallery, New York, New York – curated by Luis DeJesus |
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“Art At The End Of The Social,” Rooseum, Malmo, Sweden – curated by Collins & Milazzo – catalogue |
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“Life Like,” Lorence-Monk Gallery, New York, New York – curated by Marvin Heiferman |
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“New Museum 11th Anniversary Gala Celebration/Auction”, New Museum, New York |
| 1987 |
“Modern Art Since 1984,” Nexus Contemporary Art Center, Atlanta, Georgia – curated by Louise Shaw and Virginia Wright with Ron Jones and Robert Nickas – catalogue |
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“Art Against Aids,” New York, New York – curated by Anne Livet and Stephen Reichard |
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“Benefit Show,” White Columns, New York, New York – organized by Bill Arning |
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“The Glittering Prize,” Stux Gallery, New York, New York – curated by Bill Arning |
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“The Atlanta Biennial,” Nexus Contemporary Art Center, Atlanta, Georgia – curated by Alan Sondheim |
| 1986 |
“Update,” White Columns, New York, New York – curated by Bill Arning – catalogue |
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“Ultrasurd,” S.L. Simpson Gallery, Toronto, Canada – curated by Collins & Milazzo – catalogue |
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“Retroactive,” Hallwalls, Buffalo, New York – curated by Catherine Howe – catalogue |
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“Spiritual America,” C.E.P.A., Buffalo, New York – curated by Collins & Milazzo |
| 1985 |
“Profiles”, Florida State University Faculty, Florida State University Art Museum, Tallahassee, Florida |
| 1984 |
“Still Life With Transaction,” International with Monument, New York, New York – curated by Collins & Milazzo |
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“Still Life With Transaction,” Galerie Jurka, Amsterdam, The Netherlands |
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“New Capital,” White Columns, New York, New York – curated by Collins & Milazzo |
| 1980 |
“New Orleans Triennial,” New Orleans Museum of Art, New Orleans, Louisiana – curated by Marcia Tucker and William Fagaly – catalogue |
| 1978 |
Sherwood Oaks Experimental Film Festival, Sherwood Oaks College, Hollywood, California – Documentary Award |
| 1977 |
Bellevue Film Festival, Seattle, Washington |
| 1976 |
Dallas Fort Worth/San Francisco Oakland (DFW/SFO), Fort Worth Art Museum and San Francisco Museum of Modern art, – curated by Jay Belloli |
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Independent Filmmakers Exposition, Brooklyn College, Brooklyn, New York |
| 1975 |
“Three Young Filmmakers,” Herbert F. Johnson Museum, Cornell University, Ithaca, New York |
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Penn State Film Festival, Penn State University, University Park, Pennsylvania |
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“Exchange: Dallas, Fort Worth/San Francisco, Oakland,” Fort Worth Art Museum, Fort Worth, Texas |
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“Exchange: Dallas, Fort Worth/San Francisco, Oakland,” San Francisco Museum of Art, San Francisco, California |
| 1974 |
Athens International Film Festival, University of Ohio, Athens, Ohio |