Selected Group Exhibitions
2006 | “Currency: Art as Money/Money as Art,” Mary Brogan Musuem of Art and Science, Tallahassee, Florida – catalogue |
2002 | “Florida Photogenesis,” Southeast Museum of Photography, Daytona Beach, Florida |
2001 | “Florida Photogenesis,” Appleton Museum of Art, Ocala, Florida |
2000 | “Florida Photogenesis,” Florida State University Museum, Tallahassee, Florida – curated by Robert Fichter – catalogue |
“Basel Art Fair Preview,” zingmagazine and Tricia Collins Contemporary Art, Basel, Switzerland | |
1998 | “Fashioned,” White Box Gallery, New York, New York – curated by Suzan Batu and Bill Dougherty – catalogue |
“Fashioned,” White Box Gallery, Philadelphia, PA – curated by Suzan Batu and Bill Dougherty | |
1997 | “Bang! The Gun as Image,” Florida State University Art Museum, Tallahassee, FL – curated by George Blakeley – catalogue |
“The Resonance of Paint,” Dunedin Fine Arts Center, Dunedin, Florida – curated by Genevieve Linnehan | |
1996 | “Capital Film Festival,” Miracle Theatre, Tallahassee, FL |
1995 | “44th Biennial Exhibition of Contemporary American Painting,” Corcoran Gallery of Art, Washington, D.C. – curated by Terrie Sultan – catalogue-essay by Eleanor Heartney |
“A Vital Matrix,” Domestic Settings, Los Angeles, CA – curated by Jane Hart – boxed edition and catalogue | |
1994 | “PUBER-ALLES,” Stedelijk Museum Bureau, Amsterdam, The Netherlands |
1993 | “Tower of Babel,” HERE, New York, New York – organized by Troy Maier |
“One of Us,” Kunsthal, Rotterdam, The Netherlands, – organized by Mark Wilson and Cokkie Snoei | |
1992 | “Art Show,” New York Downtown Hospital, New York, New York – curated by Troy Maier |
“St. Vitus On Ecstasy: Eco-MusÈe For Dance and Illness,” Suzanne Biederberg Gallery, Amsterdam, The Netherlands | |
“Painterly Object,” S. Bitter Larkin Gallery, New York, New York | |
“Epigrams for the Mirror Blind,” Momentary Modern Gallery, Amsterdam, The Netherlands | |
1991 | “New Era Space,” New York, New York – curated by Collins & Milazzo |
“A New Low,” Claudio Botello Gallery, Turin, Italy – curated by Collins & Milazzo – catalogue | |
“Outside America,” Fay Gold Gallery, Atlanta, Georgia – curated by Collins & Milazzo – catalogue | |
1990 | “All Quiet on the Western Front?,” Espace Dieu, Paris, France – organized by GÈrard Delsol and Antoine Candau – catalogue |
“Pools,” Modus Vivendi, Zurich / Art Moderne, Moscow – curated by Nancy Jones – catalogue essay by Robert Mahoney | |
“Twentieth Anniversary Benefit,” White Columns, New York, New York – curated by Bill Arning | |
“Fragments, Parts, Wholes; The Body and Culture,” White Columns, New York, New York – curated by Saul Ostrow | |
“The Last Laugh,” Massimo Audiello Gallery, New York, New York – curated by Collins & Milazzo | |
“Joseph Nechvatal, Andres Serrano, Tyler Turkle,” Barbara Gillman Gallery, Miami, Florida – curated by Joe Jacobs | |
1989 | “Buena Vista,” John Gibson Gallery, New York, New York – curated by Collins & Milazzo – catalogue |
“Group Show,” Galerie Antoine Candau, Paris, France |
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“Featuring Florida,” John and Mable Ringling Museum of Art, Sarasota, Florida – curated by Joe Jacobs – catalogue | |
“R.M. Fischer, Laurie Simmons, Tyler Turkle, William Wegman,” Greenberg Wilson Gallery, New York, New York | |
“Made in Florida,” University of South Florida Art Museum, Tampa, Florida – curated by Margaret Miller, Joe Jacobs and David Courtney – catalogue | |
“Science Projects,” Lafayette College, Easton, Pennsylvania – curated by Janet Borden – catalogue | |
“41st Biennial Exhibition of Contemporary American Painting,” Corcoran Gallery of Art, Washington, D.C. – curated by William Fagaly – catalogue | |
“More Made in Florida,” Gillman Stein Gallery, Tampa, Florida | |
1988 | “Traveling,” Althea Viafora Gallery, New York, New York – curated by Luis DeJesus |
“Art At The End Of The Social,” Rooseum, Malmo, Sweden – curated by Collins & Milazzo – catalogue | |
“Life Like,” Lorence-Monk Gallery, New York, New York – curated by Marvin Heiferman | |
1987 | “Modern Art Since 1984,” Nexus Contemporary Art Center, Atlanta, Georgia – curated by Louise Shaw and Virginia Wright with Ron Jones and Robert Nickas – catalogue |
“Art Against Aids,” New York, New York – curated by Anne Livet and Stephen Reichard | |
“Benefit Show,” White Columns, New York, New York – organized by Bill Arning | |
“The Glittering Prize,” Stux Gallery, New York, New York – curated by Bill Arning | |
1987 | “The Atlanta Biennial,” Nexus Contemporary Art Center, Atlanta, Georgia – curated by Alan Sondheim |
1986 | “Update,” White Columns, New York, New York – curated by Bill Arning – catalogue |
“Ultrasurd,” S.L. Simpson Gallery, Toronto, Canada – curated by Collins & Milazzo catalogue | |
“Retroactive,” Hallwalls, Buffalo, New York – curated by Catherine Howe – catalogue | |
“Spiritual America,” C.E.P.A., Buffalo, New York – curated by Collins & Milazzo | |
1984 | “Still Life With Transaction,” International with Monument, New York, New York – curated by Collins & Milazzo |
“Still Life With Transaction,” Galerie Jurka, Amsterdam, The Netherlands | |
“New Capital,” White Columns, New York, New York – curated by Collins & Milazzo | |
1980 | “New Orleans Triennial,” New Orleans Museum of Art, New Orleans, Louisiana – curated by Marcia Tucker and William Fagaly – catalogue |
1978 | Sherwood Oaks Experimental Film Festival, Sherwood Oaks College, Hollywood, California – Documentary Award |
1977 | Bellevue Film Festival, Seattle, Washington |
1976 | Independent Filmmakers Exposition, Brooklyn College, Brooklyn, New York |
1975 | “Three Young Filmmakers,” Herbert F. Johnson Museum, Cornell University, Ithaca, New York |
Penn State Film Festival, Penn State University, University Park, Pennsylvania | |
“Exchange: Dallas, Fort Worth/San Francisco, Oakland,” Fort Worth Art Museum, Fort Worth, Texas | |
“Exchange: Dallas, Fort Worth/San Francisco, Oakland,” San Francisco Museum of Art, San Francisco, California | |
1974 | Athens International Film Festival, University of Ohio, Athens, Ohio |